Dear Players and Friends, Welcome back!Now that Summer seems well and truly behind us, it’s time to cosy up and look forward to evenings of entertainment at the Millgate. The dust had barely settled from our mad cap Dickensian romp, Bleak Expectations, when we began rehearsals for our first play of the Season, Waiting for God by Michael Aitkens. Those of you who remember the 1990s sitcom which ran for 4 seasons, will find some […]
Plays set in homes for the elderly have become almost a sub-genre of their own, and “Waiting for God” challenges the typical portrayals of old age. Diana Trent, played with bracing cynicism by Gill Barham, refuses to be a mere caricature of a dear old lady. Her sharp wit and dark humor shine through as she navigates life at the Bayview Retirement Home, alongside the larger-than-life Tom Ballard. With energetic direction by Verity Mann, this production promises an evening filled with laughter, emotional depth, and a refreshing take on aging. Don’t miss this captivating performance!
a poetic tribute to Saddleworth Players by Robert Knotts (With thanks to Trevor Baxter for his article, which inspired the writing and illustration of this poem.) (illustrations created using Loveart AI) In Delph, they gathered, the ladies so bright, At St Thomas’s Church on a frosty night. They sought more joy than hymns and tea, A stage! A script! Some artistry! The Girls’ Friendly Society took its chance, Exchanged their sewing for song and dance. […]
Waiting for God is a very funny comedy which highlights the art of growing old disgracefully. In it, Diana Trent, who is quite a rascible lady living out her retirement days in the Bay View retirement home and actually at war constantly with a conniving manager meets a new resident, Tom Ballard, who is he’s eccentric, he’s funny and very warm hearted. And there it is, a friendship that turns to romance. It’s a very […]
“A joyfully anarchic journey through Dickensian London and beyond.” When a stage play has evolved from a radio play, my experience is that they just work. Maybe it’s the approach to devising them and the characters. Maybe it’s the quality of the writers and the development process they go through. Whatever it is, they simply have a greater sense of theatre about them and invariably, it’s a winning formula.The pedigree for Bleak Expectations easily places it […]
Opening Night Review by Peter Fitton “The Rise and Fall of Little Voice” seems to be Farnworth-writer Jim Cartwright’s tribute to Shelagh Delaney’s “A Taste Of Honey”. Blowsy, mutton-dressed-as-lamb mother, Mari, despairs of her misfit daughter, LV, whilst trying to hang on to her fancy man, Ray Say. Wayward parenting certainly looms large and both plays walk a tightrope between the mother’s brash, slatternly lifestyle and the daughter’s desperate need to escape loneliness and neglect. […]
two shows in rehearsal The building repair work planned from the 26th May means we have a very truncated season with Bleak Expectations coming hotly on the heels of The Rise and Fall of Little Voice. We would usually have a comfortable 7 weeks rehearsal period on stage but we’ll have just under 4 which includes Easter and bank holidays! Nothing daunted, our fabulous cast have set up camp in my living room and we’re […]
The Rise & Fall of Little Voice is my first involvement in a production with Saddleworth Players, as I have mainly been directing/acting at The Lyceum/Curtain Theatres with shows such as Calendar Girls, Dads Army, Heroes and Death of a Salesman. That’s been the case for the last 30 plus years. So I am old but in good working second hand order. Little Voice has been described as a grim northern fairy tale but its […]
Read the opening night review of The Children in the Saddleworth Independent (reproduced below with permission). SADDLEWORTH Players have once again showcased their talent with an excellent production of The Children at Millgate Arts Centre in Delph. Written by Lucy Kirkwood, the play first premiered at The Royal Court in London, earning great critical acclaim, including the 2018 Writer’s Guild Award for Best Play and a Tony Award nomination. Recognised by The Guardian as one of the top three […]
Saddleworth Players have chosen a difficult, challenging play for their latest production. Haunting Julia, written in 1994, was a departure from Alan Ayckbourn’s usual repertoire of comedies involving dysfunctional families trying to get one over each other, or the neighbours. There are not many laughs in Haunting Julia, just the occasional barb of black humour which draws rather uneasy laughter from the audience. “The production team at the Millgate always produce good sets, and this […]