Saddleworth Constable Directors Preview

At it’s core it’s a love story…. 

When I write, I am constantly referencing how the work would or could be directed and presented. If it’s not achievable in any aspect (casting, staging, cost, selling etc) it’s potentially a lovely idea and story which no one will ever see. I also have an eye on the marketplace because I write stories which I enjoy but hope others will too.
I think ‘The Saddleworth Constable’ is a departure from the usual fayre because, at its core, it is a love story. And there isn’t much in the current stage repertoire within which that is such a central theme.

This has added to it being such good fun to write and now, direct. There is an adage that 80% of direction is casting and we certainly got it right for this play. I think the actors have nailed it and I am very proud of what they have achieved – particularly our newbie!

I try to be careful not to control the end product with characterisations. That is the actor’s job, especially as they are creating them for the first time. I’ve provided them a recipe to make a cake; I just help them bake it. And I believe that it is one which our audiences will enjoy devouring!

Albeit about this area (the title is a bit of a giveaway after all) it has been purposely written to be adapted (which is unusual for a play) and personalised for a different locale. ‘The Cotswold Constable’ was actually the original concept. But if anybody wants to pursue a local production of ‘The Seychelles Constable’ I am happily available to assist for several weeks on a room and board basis!

I am grateful to Saddleworth Players for having the foresight to stage new work. Their approach is not the norm everywhere. And none of it would happen without such a great crew who build, paint, dress and look after the logistics of getting a work to the stage.

Thanks team!

PS: and no, before you ask, the play is not based on anybody!